Introduction to Personality Science and Research
Environment and Social Development
Intelligent Robot and Advanced Manufacturing
Filmmaking: From Script to Screen
Critical Conservation and Revitalization of Architecture Heritage
Fun Exploration of Laser Remote Sensing Technology
Introduction to Computer Science and Programming
Smart Earth
Infections and Immune Response
Healthy China Initiative and International Health Cooperation
The Outline of《Filmmaking: From Script to Screen》
1.Basic Teaching Information
Course Code:2020130013001 | Course Title: Filmmaking: From Script to Screen | ||
Faculty: | Targeted Student: Students interested in film making and directing, visual arts, script writing, film production, editing and cinematography, media communication, and those who aspire to explore the intersection of new media technology in the film production industry. | ||
Course Credit:1 | Lecture Hours: 16H (consisted of __16__ theoretical hours and _0____ practical hours) | ||
Course Leader: | Name: James Savoca | E-mail:jpsavoca@gmail.com | |
Office:USC | Mobile: | ||
Course Staff: | Name: | E-mail: | |
Office: | Mobile: | ||
Course Type:一般通识课程General Course | |||
Related Preview Courses: Academic Cornerstone: Media Decoded-Navigating Communication Landscapes |
2. Course Introduction(no more than 500 words)
This course aims to equip aspiring filmmakers with the essential skills to think like a writer/director. The fundamentals of film making will be explored, from pre-production, through production, to post-production.
3. The Allocation of Content and Lecture Hours
Content | Lecture Hours |
Macro-Story Fundamentals -Story definition -Three Act Structure -Plot types | 90min |
Micro - Purpose of Scene -Define the purpose of a scene -How to Develop Character -How to move the story forward | 90min |
Breaking down the Short Film -Character over Story -Less is More -Screen short films | 90min |
Creativity, Passion & Possibilities -How does creativity work? -Creating good Habits -The Art of Doing | 90min |
Creating a Visual Frame -Depth; foreground, middle ground, and background -Triangle -Thirds: Vertical & Horizontal | 90min |
Vision in Storytelling -Montage -Style -Dreams/Surrealism | 90min |
Wong Kar Wai - Visual Expression Part I -In the Mood For Love, 2046, Days of Being Wild, Chungking Express -Frame, Lighting, Shadow -Coverage/Editing | 90min |
Wong Kar Wai - Visual Expression Part II -In the Mood For Love, 2046, Days of Being Wild, Chungking Express -Production Design, Wardrobe -Movement/Color Pallet | 90min |
4. Assessment Methods and Marking Criterion
Exam
Homework
Class Participation
5. Textbooks and References
"How To Make a Feature Film For Under 25K" by James Savoca